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Cambridge Open Art Exhibition 2018

Exhibition Dates: 12th to 14th October at Swavesey Village College

Cambridge OPen Art Exhibition 2018 - image and web link

Call for entries Open Tuesday 12th June 2018 – see below for details:

# Updated: July 12th, 2018  – ”We had a very fast sign up to this year’s exhibition in October and the exhibition is now full. Many thanks to all artists who have applied this year – we are set for another exciting exhibition.

There are tables still available for selling cards, small gifts and unframed prints on the Friday evening, Saturday and Sunday daytime at £15 per day for exhibiting artists and £25 per day for non exhibiting artists”.

    See full details of tables, waiting list and entry here


Exhibition dates and times:

Friday 12th October 6.30 – 9pm               Preview and Prize giving

Saturday 13th October 10 – 5pm             

Sunday 14th October 10 – 4pm                            

You may enter artwork on-line from Tuesday 12th June. The exhibition is non-selective. Only the first 270 artworks entered can be accepted.

The Closing date for Entries is Friday 17th August or earlier if fully subscribed.

Source: https://coax.org.uk/2018/05/conditions-of-entry-2018/

The Cambridge Art Awards, emerging from the exhibition, will give the top twenty artists selected the opportunity to exhibit their work at the Storey’s Field Centre, Cambridge during December 2018.

There will also be a Best in Show Prize available of £300, three runner-up prizes and a Win A Picture draw for visitors, the the value of £150.

You can find all the conditions for entry, fees and ‘get in and get out’ for the exhibition here:  https://coax.org.uk/2018/05/conditions-of-entry-2018/


About Cambridge Open Art:

The open art exhibition is owned and run by volunteer artists, to promote art, artists and well being through exhibition, education and participation.

It is a not-for-profit, self-funded organization run by volunteers.  Presently the volunteers are assisted by the local Arts Development Manager at Swavesey Village College. We are actively seeking business sponsorship to support the exhibition. We work with a charity partner and are hoping to gain a media partner“.

See more at: https://coax.org.uk/who-are-we/


If you are already preparing your palette good luck from us all at conversationsEAST.

Enlightenment in the East of England

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Once Upon A Festival – Suffolk Libraries

We love libraries!

 

 

 

 

In 1851 J.W.Hudson, speaking at the opening of the Mechanic’ and Apprentices’ Library in Liverpool, opined that a visit to the library would, for the reader, lead to them ‘…receiving cultivation, not in reading the latest accounts of mis-demeanours and local calamities…but in imbibing instruction and high gratification from the perusal of select and valuable works whether they lead him with the traveller, across the pathless tracts of oceans, or cheer and console him, with moral sketches of human nature’.  (Source: Mid-Victorian Britain 1851-75, Geoffrey Best, Fontana Press, 1985, London, p.232)

Once Upn a Festival button, image and web link
See more about the Festival here…

Whilst the publicly accessible library, after nearly a century or more of rising literacy in our country would then clearly stir the intellectual interest of Everyman (and Everywoman and Everychild too – Ed.) the message is still clarion today, stimulating the autodidact to seize the high ground of undiscovered knowledge and learning.

The adult, or child reader, will today find a mesmerising range of interests available at their local library that carries the long echo from that opening event in mid-nineteenth century Liverpool. Experience is still to be garnered for the mind, in the face of closures, funding cuts and, perhaps, even a topical turn away from the intellect towards ‘accounts of mis-demeanours and local calamities‘.

Suffolk Libraries web button - image and web linkSuffolk Libraries, during June 2018, are teaming up with Theatre Royal in Bury St Edmunds to host five performances as part of the ‘Once Upon A Festival’ children’s arts festival.

The Suffolk Libraries festival programme looks like this:

Once Upon a Festival: Pied Piper

Sat 16 June – 1045 to 11.30
Bury St Edmunds Library

‘When the Pied Piper plays his flute the rats run, the greedy mayor rubs his hands and the children dance… Norwich Puppet Theatre’s humorous and irresistible one-person show combines a skillful mix of puppetry, foot-tapping music and storytelling and will have audiences young and old entranced’.

Once Upon a Festival: The Children in the Moon

Sat 16 June – 1430 to 15.15
Newmarket Library

‘The Children in the Moon is a wonderfully visual and original take on centuries old children’s verse, packed with puppetry and live music this is an ideal show for all the family. Tickets for this show are £1 per child’.

Once Upon a Festival: Graffiti Classics

Wed 20 June – 1530 to 1630
Newmarket Library

‘6 strings, 8 dancing feet and 4 voices with 1 aim: to make classical music wickedly funny and fantastically exhilarating for everyone, young and old. Graffiti Classics burst the elitist boundaries of the traditional string quartet with their hilarious all-singing, all-dancing musical comedy show’.

Use the Suffolk Library links to check out these gems of ‘library performance’ and kick-start the 7 to 13 year old auto-didact in your family today.


Context and Editor Notes:

Libraries and the Arts are deeply embedded in our culture and history. By the 1680’s, in England, libraries were growing more common, from the large installation in the affluent country house, to ‘the more modest bookshelf in the yeoman’s farm‘. Public libraries, as we might understand the term, were extremely rare outside Oxford and Cambridge.

In 1684, the Rector of St. Martin’s in the Fields, working with Christopher Wren, set out to build a library ‘for public use’. The Rector and Wren built a large house in the grounds of the churchyard, using the upper story as an accessible library and the downstairs as a ‘workroom for the poor’.

Thus beginning, arguably, the long tradition of the library as a multi-use space, feeding the individual mind, raising community social capital and road-mapping the way to the intellectual horizon.

Everything we might want today.

(Source: English Social History – Chaucer to Queen Victoria, G.M.Trevelyan, Penguin Books, London, 1978, p. 279)

Once Upon A Festival is now in its fourth year and aims to make performance art more accessible in theatres, schools and communities by taking the performances to children in their school or community. For more information visit www.onceuponafestival.co.uk   

Melissa Matthews, Suffolk Libraries Art Programme Co-ordinator, says: “We’re delighted to host these events. Once Upon A Festival delivers high quality dynamic performances from a variety of companies and libraries are a great place to host exciting events like this in the community. We want to deliver more events like this as part of our Arts programme to open up new and accessible arts experiences for children and young people.”

(Source: Suffolk Libraries Press Release, June 2018 – https://www.suffolklibraries.co.uk/news/once-upon-a-festival/ )

Love your library, whatever age it is – we do!

Enlightenment in the East of England

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Artist in Residence, Culture LAB: Arts in the Community

We publish a continuous arts job feed here:

Ipswich County Library

Week-long, mixed media residency working in partnership with METAL

Sullfolk Libraries web button 4 - image and web linkMonday 30 July – Friday 3 August 2018

 

 

 

 

 

 

 

‘As part of Year 1 of the Suffolk Libraries Arts Programme, we are inviting Suffolk artists to take over the top floor of Ipswich County Library to explore the role creativity plays as catalyst for nurturing confidence and well-being in young people’.

Source: https://www.suffolklibraries.co.uk/about/jobs/ipswich-artist-in-residence/

In April 2018, Suffolk Libraries were awarded NPO status by Arts Council England. Following the residency, artists may be approached by Suffolk Libraries to be commissioned to deliver pilots of their projects from September 2018.

Discover this arts opportunity, and others, on our regularly updated arts job news-feed here.

See the job description, duration, remuneration and audience focus for the work. Check back regularly for updated feeds on arts-centred employment in the East of England. See more here.

Enlightenment in the East of England

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JDRF Cambridge – Gala Dinner 12th June 2018

It has been a busy last quarter and we have not featured  JDRF, our favourite charity here at conversationsEAST.

JDRF Dinner table image and web link...
Discover more details here…

With a sparkling fund-raising event, a Gala Dinner, pending at Madingley Hall, University of Cambridge Institute of Continuing Education this article rectifies our omission.

This gourmet event will, in the surroundings of 16th Century Madingley Hall, afford you an opportunity to eat well in convivial company, but also to catch up on JDRF’s latest research and to hear how your funds are spent seeking a cure for Type 1 diabetes.

Book your table here 

 

 

Event details: Tuesday 12th June 2018 – 7pm to 11pm – CB23 8AQ

(For further details you can contact Celia Joseph at cjoseph (at) jdrf.org.uk  – there are opportunities for Partnership tables, where your company or organisation can benefit from a collaborative approach to the event.)

  You can download an event leaflet with venue, date and programme details here.

About JDRF: 

 ‘There are currently 400,000 people in the UK with type 1 diabetes, over 29,000 of them are children. We are committed to eradicating type 1 diabetes and its effects for everyone in the UK with type 1, and at risk of developing it.  To work towards a day when there is no more type 1…’ read more here.       Source:  https://jdrf.org.uk/about-us/


The team at conversationsEAST and SmithMartin LLP are proud to be recognised as supporters of the good work that JDRF undertake.

Book your ticket, enjoy a fabulous event and support a lifesaving cause too. Thank you.

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Happy Christmas and a prosperous New Year in 2018

Festive felicitations from everyone in Cambridge UK…

It has been a hectic quarter in the run up to the end of an already busy 2017. At SmithMartin Towers we are working hard to get back to our regular publication rythm for ConversationsEast in the New Year.

You can discover what we have achieved in terms of social enterprise development, literacy projects and all our usual books for children activities on our Partnership home page here.

Best wishes to all our readers and subscribers for the coming year…

The ConversationsEast team.

Christmas Tree icon made by Freepik from www.flaticon.com

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Making new friends in Europe?

European Week of Regions & Cities
Brussels 9-12th October 2017

European Week of Regions & Cities Brussels 9-12th October 2017
European Week of Regions & Cities Brussels 9-12th October 2017

A wide ranging sequence of workshops and event in Brussels, that will attract academics, poiticians and business organisations. We think there are elemental workshops that those of us, working in the social economy, will find useful.

Particularly useful is the opportunity to build new networks of contacts ahead of the social, political and economic schism that awaits us in the UK.

Apply online NOW!

Who should take part?

The European Week of Regions and Cities and its workshops, debates and networking activities are addressed to:

  • members of the European Committee of the Regions, members of the European Parliament and national, regional and local politicians;
  • European, national, regional and local government officials and experts in the field of managing and evaluating cohesion policy programmes;
  • representatives of private companies, financial institutions and European and national associations;
  • journalists from European, national, regional and local media outlets;
  • researchers, PhD or masters students and practitioners in the field of European regional and urban policy.

The typical participant is from the regional or local administration and new to the event, and is travelling to Brussels specifically for the event.


Discover now the 130 workshops, networking events and project visits organised in Brussels as part the 15th European Week of Regions and Cities!

Under the headline ‘Regions and cities working for a better future’, the programme tackles three main themes:

  • Building resilient regions and cities – #LocalResilience
  • Regions and cities as change agents – #TakeAction
  • Sharing knowledge to deliver results – #SharingKnowledge.

28 partnerships of regions and cities, 14 Directorates-General of the European Commission, several networks, associations and other institutions have partnered up for it. The Opening session takes place on 9th October in the European Parliament.


You can see the registration information and register on-line here.

An example of workshops across the event include:

  • The regional dimension of inequality: territorial policy responses in a rapidly changing economic environment
  • Territorial cohesion in the ’Brexit era’
  • Communities as change agents: local development in the EU beyond 2020
  • An alternative for the future: Silver Economy for cities and regions
  • Towards an online #cohesionalliance?
  • Boosting digital skills for youth employment: a challenge for regions and cities
  • Circular Cities: helping cities and regions to implement the circular economy

See more here

We look forward to making new friends in Europe and building bridges we can cross in the future.

Image: Creative Commons
“brussels” by edward stojakovic is licensed under CC BY 2.0

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Bologna, books and biglietti

Animal illustrations for the Book Fair in Bologna...
Dining in Bologna at the Children’s Book Fair 2017…

 

 

 

 

 

 

“We hopped on the bus near the Ospedale Maggiore di Bologna, having purchased our biglietti for Euro 1.50, and found we could ride the autobus, through the medieval cobbled streets of the city, in any direction for ninety minutes”.

Our Partnership team were in Bologna, Italy last week. We were attending the Children’s Book Fair to meet with publishers, authors and artists, and to soak up the atmosphere of world class creativity and dynamism that is the book trade for children in Italy.

Being regular attenders at the London Book Fair, it was noticeable that, although the giant Amazon had a media stand at the week in Bologna, there was nothing like the all pervading presence they seemed to have in London earlier in the year.

Indeed, for the retail giant Italy is still a market in development. We noted that “…Amazon’s Prime service offers one-day delivery of a million products in 6,000 Italian towns and 2-3 days for the rest of the country“.  Read more here… Source: Italy24 web pages.

Bologna Book Fair 2017 image
Bologna Book Fair detail…

With a significant Amazon building and development programme in Italy under way, the diversity and complexity of the other international publishing presences in Bologna, from traditional publishers to independent writers, artists and agents, was a sign that the trade in Italy is perhaps conditioned and delivered still in a very traditional way. Affording much opportunity for disruptive innovation in retail distribution we suspect.

As a micro-publisher, establishing our own tentative foothold in the Italian market, what was stunningly noticeable was the available space and ease with which new graphic artists, illustrators and designers could display their work.

Whatever language children are reading in, the quality of the illustrative art applied to the story enhances and opens that bridge to the imagination. It is as important as the ‘book’ itself, or the page layout or font choice, we would argue. The simplest narrative story can become an exciting page turner with the addition of wonderful artistic creativity. There was much of it evident in Italy last week.

Entering the exhibition halls at the event in Bologna Fiere was like stepping into a giant gallery. With a fantastic display of artwork in the principal foyer, annexed to a series of giant display boards for the young and independent artist to display samples of their work. Although the book trade is about business, the Italian approach led with free form creativity and individual design expertise in a way that we felt was unusual in the English book trade.

Some simple highlights for us during the week

Illustration by Marco Bonatti image
Illustration by Marco Bonatti

 

 

 

 

Marco Bonatti

We enjoyed the informal display of Marco’s work. He produces character with a gentle style, with which to enhance any children’s story, we felt. Engaging, friendly but equally up to the illustration of a more challenging narrative.

Based in Desenzano del Gardo, Italy – you can find Marco Bonatti’s work on the web here.

Katie Rewse

Katie Rewse image
Katie Rewse, using blue to effect…

Katie both studies and lectures in the Arts at Bournemouth University. She also runs Seablue Designs, a wonderfully evocative title for her business, which encompasses oceanic themes and a subtle and diverse range of blue in her work.

Katie’s palette, even informally displayed,  is striking when seen from a distance, which is what caught our eye, but is equally as powerful on the page when feeding a child’s imagination.

See Katie’s work on the web here.

 

 

 

Natasha Durley

Natasha Durley, pattern and proportion…

Another graduate of Bournemouth University Arts faculty, Natasha produces images of plants and animals that are bold in structure and colour, but which are always seemingly ‘anatomically’ sound and proportionally framed.

We liked her structured pattern work particularly, standing out as it did from many of her contemporaries on display in Bologna.

You can find Natasha’s award winning work on the web here.

 

 

 

 

Alessandra Fusi

Allesandra Fusi - a traditional style - image
Allesandra Fusi – a traditional style?

An artist and animation specialist, resident in Bologna, Alessandra has exhibited her work across not only Italy, but also Europe and the USA.

Her pen work was superb we thought, creating striking black and white images for her clients.

Alessandra has an ability to portray character through her artistry, but holds her style very much in the traditional fairytale mannerism, to which she expresses an enduring fascination.

You can see Alessandra’s work on the web here.

(All artist featured images captured from the Bologna Children's Fair ad-hoc display boards in 2017. Copyright remains entirely with the individual artist).

It was the artistry and illustrative energy that was the touchstone experience for us in Bologna this year. Although we were able to build a number of new partnerships and projects for 2017/2018, it is the imprint of ‘the image’ that will stay with us, particularly the energy of the work typical of the artists we have championed above.

Historical linearity in illustration:

We were looking, on behalf of another project before our departure for mainland Europe last week, at the history of children’s book illustration. The Digital Bodleian in Oxford have a wonderful new web resource featuring a number of historic children’s books and games.

You can trace a linear development between the Bodleian web holdings, many dating from the beginning of the Nineteenth Century, through to the modern day.

Not only in their stories about children, but also how the imaginative landscape is pictured, focused on illustration as we are in this article. Innovation was the driving force even then.

Colouring instruction - 1824
Colouring instruction – 1824

 

 

 

 

 

We particularly liked the game Choriama, dating from 1824, which serves as a ‘youth’s instructor’ in the drawing and colouring of landscape. The work being made up of a number of individual landscape sections, which can be folded and re-folded to create new topographies of play. See more at the Digital Bodleian here.

 

A Round of Fun - education and art? - image
A Round of Fun – education and art?

We also warmed to depictions of  A Round of Fun. Pleasant illustrations of classroom activity where imagination and fun, with guidance , are the focus of the day’s activity. Is this not how school should be?

This work, in the Digital Bodleian, was created in England but was printed in Germany. See more of the Round of Fun at the Digital Bodleian on the web here.

Our whole Digital Bodleian experience, looking back, has been resonant with echoes of  our contemporary take on the Book Fair in Bologna.

Creative and imaginative illustrations, some classical and others traditional in feel, the many with a modernist take on old themes – the whole utilising the practised hand of the artist, European production skills and education marketing.  A creative journey from the Nineteenth Century to now, following enduring first principles.

Our biglietti:

We are already booking them for the 2018 event! Perhaps we may see another blue crocodile?


Editorial note on Italy:

Italians, in a recent report, the Bloomberg Global Health Index of 163 countries, lay claim to being some of the healthiest citizens in the world. Despite the prolonged downturn in the country’s economy and with up to 40% of the young unemployed.

It is the proximity to high art and culture, as well as a high vegetable and fruit diet, that must be responsible for the continual flowering of Italian artistic endeavour surely?

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Will you be putting on your JDRF walking shoes?

 

 

The JDRF One Walk Cambridge event is taking place again on Sunday 11 June, 2017.

If you haven’t signed up yet, why not get your friends and family and sign up today?

”The One Walk Cambridge is a family friendly event, that has something for all ages and abilities, from the littlest legs to the briskest power-walkers with our 5km or 9km route. Visit our walk village at Christ’s Pieces with refreshments and activities to keep the whole family entertained”.

You can join hundreds of people across the country walking and raising money for type 1 research this Spring! See you there?

  • You can still get involved as a volunteer, if you would like to support our favourite charity as a event crew member. See more here

conversationsEAST and SmithMartin LLP are delighted to be supporters of JDRF.

One day, we will create a world without type 1 diabetes. Until that day, your support is vital for our world-class research, improving treatments until we find the cure”.

Source: JDRF web pages – accessed 07.03.2017

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Victorian throw-aways…

In London on the 26th?

After the hyper-consumerism of the recent festive season, were you the one carrying the old wrapping paper, used tinfoil and discarded detritus to the rubbish bin?

We follow in a long tradition, arguably in the foot steps of the Victorians, who were the first ‘throw-away society’ according to Dr. Tom Licence of the University of East Anglia.

The Victorian advances in packaging, branded products and new routes to market in retail confirmed the ‘disposability of things’ for the Victorian householder.

As part of the UEA in London series of events, you can hear Dr. Licence discussing ‘What the Victorians threw away’

Thursday 26 January, 6.30pm   – What the Victorians threw away – Dr Tom Licence, UEA

Regent Street Cinema, 309 Regent Street, London, W1B 2UW

‘In this lecture, Tom will use items excavated from rubbish dumps to show how our throwaway habits developed. He will explore Victorian ideas about re-use and re-cycling, and link emerging patterns of waste-creation to the growth of western consumerism’.

Source: https://www.uea.ac.uk/alumni/events/

The event is free, but you can book on-line to secure your place here.


You can visit Tom’s archive of objects, disposed of by your great, great grandparents, on his web site – http://www.whatthevictoriansthrewaway.com/ The web pages also contain fascinating insights to what the East Anglians threw away too.

His book is available here in both paperback and Kindle editions…

See more here…

The people who lived in England before the First World War now inhabit a realm of yellow photographs. Theirs is a world fast fading from ours, yet they do not appear overly distant.

Many of us can remember them as being much like ourselves. Nor is it too late for us to encounter them so intimately that we might catch ourselves worrying that we have invaded their privacy. Digging up their refuse is like peeping through the keyhole‘.

   Buy this book here from Amazon.co.uk

Bin & boots image: David O’Farrell – Flickr

 

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Distances travelled and a New Year

We are always excited about books and book production in the conversationsEast office. In 2016 we seemed to have a very ‘bookish’ year all in all.

We enjoyed a visit to Seven Stories in Newcastle to look at the development of an author and the creation of the written artefact through the work of Michael Mopurgo. See more here.

We also happily supported the a new issue of Isaac Newton’s Principia Mathematica, an endeavour delivered across the globe from the print works of Kronecker Wallis in Barcelona, Spain. Revisit the work here.

In 2017 the conversationsEAST team have sworn an oath to finally deliver their draft arts journal, artSUFFUSION, and to expand the range of contributors to our pages in the hope of stimulating interest in arts, culture, history and all the other things that occupy our minds during the working day.

As we were unpacking another delivery of books in the intervening quiet days betwixt the festive holiday and New Year, we were pondering, as we tackled another Open Office document and posted several WordPress pages onto our servers for clients. How far have we come in terms of print production?

The Italians took a long look at the subject, the now pre-historic hot metal typesetting process, in 1960.

Source: See the movie on YouTube

Whilst some time later, nearly sixty years in fact, an American production giant revealed how the introduction of micro-processor and the refinement of mechanical processes enabled tens of thousands of printed copies to be created within three short days.

Source: See the movie on YouTube

We thought the passage of time and socio-economic difference was wonderfully reflected in the the comparison between the be-suited operators of the Lino-type machines, half man, half machine, seemingly embedded in their mechanisms as their typing materialised from hot metal reservoirs, into hard gobbets of text, for onward transmission to other people and process.

The contrast underscored by the modern, casually dressed and processor driven work environment of a contemporary print house. We noted the lack of people populating the production landscape in the latter. The ‘white collar’ aspects of the book now taking place remotely, no longer a craft skill in an industrial setting.  A true sign of our times?

Whatever changes 2017 brings, a happy New Year to our readers from the conversationsEast team.

 

 

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