Week-long, mixed media residency working in partnership with METAL
Monday 30 July – Friday 3 August 2018
‘As part of Year 1 of the Suffolk Libraries Arts Programme, we are inviting Suffolk artists to take over the top floor of Ipswich County Library to explore the role creativity plays as catalyst for nurturing confidence and well-being in young people’.
Finnish artists like Helene Schjerfbeck, Albert Edelfelt and Hugo Simberg represent home land creativity. However, you can also find internationally famous artists such as Vincent van Gogh, Paul Gauguin and Edvard Munch.
The Finnish National Gallery also makes the collection meta-data freely available as an API, so that you can add standardised biographical data to your web installation or application, if using the API. See more details here…
We like the international flavour, and the wide variety of images, contained within such a flexible license, immensely. We know that we will be using this resource in our creative projects in the future.
Other freely licensed image collections are available. We have added a flavour of the resources below.
In it Cosslet takes to task the political pundit Andre Walker, for his omnipotent vision of the library service in the UK. Namely that no-one visits them anymore and they should all be closed down and the books given to schools.
Is there something Presidential in this decimation of the library service by Twitter?
Rhiannon goes on to thread her story with her use of the public library when young – developing intellectual curiosity, cultural awareness, knowledge of the world and taking up the rich opportunity public libraries offer to graze the landscape of the word, six books at a time.
Original text: In the Spring of 2015 the Adam Smith Institute published an article entitled ‘The End of Local Authority Libraries‘. As the economic ice age of Osbornian austerity descended upon us, the Press was full of cultural turbulence about the closure and operational rigidity of our national literacy assets.
Although the general Press attention has diminished, it is telling that the dilution of the library service has continued unabated, albeit with increasingly diminished media currency, as we have been further overwhelmed by matters of political moment in and about Europe, perhaps.
The website Public Libraries News, in July, declared that now ‘there are at least five hundred libraries that are staffed, if not entirely run by volunteers’. On the one hand, this is a sign, we would argue, that there is profound suport for the local library at grassroots level. But it is also a sign, looking at the plethora of continual changes and negative reviews of library services across the country on the website, that there is no clear, effective and equally profound form of new governance emerging for libraries.
One that, at once taps into localism, yet satisfies the need for an eclectic and near universal access to knowledge and leisure, free at the point of delivery for those who need it most.
The trade union Unison are to hold a National SOS Day on the 19th of October, 2017. Save our Services is designed to show that ‘...libraries are a hub and a haven in our communities. They offer a place for people to work, relax, discover and think.They are a source of local knowledge and history and give everyone access to books, DVDs, music and more, for free or at a very low cost.
But libraries also do a lot more than lend books. Many hold events, anything from story time for children to yoga classes for adults. Library workers help people look for work, advise on using IT, organise talks by authors and so much more‘.
The debate, then, continues to have currency. The Adam Smith Institute argued, in its article by Eamonn Butler, that the free market was the solution to the ‘library deficit’ issue, as to be expected. That exemplars of library innovation, in the shape of American organisations such as Library Systems and Services, were to be the saviours of a moribund library market.
However, research shows that the accession of LSSI to the pinnacle of library stewardship has not been entirely successful in the USA. An earlier article in the New York Times shows how both library staff and users, even in the more affluent cities where LSSI has obtained contracts, have been happy to lead protests. Dissenting voices to the ending of unionised services, diminution of book stocks and antagonism towards the ethics of ‘libraries for profit’.
The Butler argument, from the Adam Smith Institute, saw the then new Birmingham City Library building as an example of ossification of service. The £188 million building began to operate on a ‘self-funded’ basis for events, for example, in the context of author events or arts activity. Both previously seen as draws to footfall for the library service. Indeed key activities in a wider cultural obligation for libraries, we would argue.
However, debate about the capital cost of a building in austere times is one thing, but the Institute author’s position somewhat fails to recognise that it is free market policies which have led to the very fiscal landscape that has so diminished the library service.
If a library is battered by exogenous fiscal policy upheaval, it is somewhat unfair to blame the librarian for lack of service, or diversity in activity, surely?
Is there hope for change? We think so.
We were pleased to see that there is widening acceptance by Councils that the community should have control of libraries as a community resource. At the beginning of August, for example, Derby City Council declared for the cessation of control of ten libraries, which will see ‘…the loss of at least 39 library assistants’ jobs and two library managers, of almost 100 staff who work for the authority. Community groups will get £17,500 a year each to fund their own managed libraries until 2022…’
What is concerning, in this case, is the timetable and the level of grant in aid ceded to the community organisations in the City, to effectively manage the transfer and creation of a new community organisation to deliver the service.
More positively again, Bury Council this month have approved a new community asset transfer plan. ‘The new policy means applications from groups to buy community assets from the council will be considered against ‘key tests’ designed to ensure a deal which is best for the council and residents‘. The landscape of community opportunity grows!
However, it is entirely possible, we would argue, to imagine the creation of community libraries as Social Enterprises, where the not for profit governance model delivers a mix of volunteer and employee led services, bolstered by an admixture of social business services to support and maintain the core library provision.
A community cafe, a learning centre, a gardening or horticultural project…the list could easily be imaginatively extended by a dynamic, active community. The whole focused upon the creation of ‘…a place for people to work, relax, discover and think‘, to remind us of the Unison observation.
If the trade union are having an SOS Day, why do we not start a new think-tank movement, LASER – Libraries as Social Enterprise Renewal.
Write to conversationsEAST if you are interested in social enterprise, passionate about libraries and learning and keen to develop governance-sound, community led, not for profit library buildings.
We’ll publish a web site, host a meeting and give the idea traction?
Additional narrative – 20.08.2017
We have just come across a recent article in Wired by Susan Crawford, where she argues for a resurgence in phiilanthropy to revitalise the library service.
In the text, in response to a recent tweet by Jeff Bezos asking for suggestions about a new shape for his giving, she argues for an Amazon/Bezos programme of giving to libraries.
Developing Jeff Bezos’s current long term view of his ‘social investments’ towards, arguably, a philanthropic delivery that would cater for the short and the long term. Mr. Bezos describes his search for a new intitiative ‘…to help people in the here and now’. Our new library programme, as described, would do that, but also cater for the long term too.
Namely a series of Amazon Memorial Libraries, or Bezos Community Cultural Centres, would benefit the communities they were placed in, but they would also create new readers and enhance human capital in the hinterland of their sites, as well as delivering a major philosophical boost to the image of Amazon as a socially beneficial company.
We understand Jeff Bezos reads every email sent directly to him. We’ll write to Mr. Bezos and make a suggestion supporting a new philanthropic venture into the British library landscape, and explore the models that might be created.
It has been a hectic quarter in the run up to the end of an already busy 2017. At SmithMartin Towers we are working hard to get back to our regular publication rythm for ConversationsEast in the New Year.
You can discover what we have achieved in terms of social enterprise development, literacy projects and all our usual books for children activities on our Partnership home page here.
Best wishes to all our readers and subscribers for the coming year…
The ConversationsEast team.
Christmas Tree icon made by Freepik from www.flaticon.com
One of our editorial contributors is a member of The Internet Society, which as an organisation is now twenty five years old. We were excited to read his email about the latest prize programme being undertaken by the The Society.
To celebrate this quarter century anniversary the Society is undertaking a search for twenty five internet innovators, under the age of twenty five.
”Do you know someone between the ages of 13-25 who is passionate about using the Internet to make a difference? We want to hear about them! They could receive a trip to Los Angeles and a chance to connect and collaborate with other young leaders from around the world”.
“We hopped on the bus near the Ospedale Maggiore di Bologna, having purchased our biglietti for Euro 1.50, and found we could ride the autobus, through the medieval cobbled streets of the city, in any direction for ninety minutes”.
Our Partnership team were in Bologna, Italy last week. We were attending the Children’s Book Fair to meet with publishers, authors and artists, and to soak up the atmosphere of world class creativity and dynamism that is the book trade for children in Italy.
Being regular attenders at the London Book Fair, it was noticeable that, although the giant Amazon had a media stand at the week in Bologna, there was nothing like the all pervading presence they seemed to have in London earlier in the year.
Indeed, for the retail giant Italy is still a market in development. We noted that “…Amazon’s Prime service offers one-day delivery of a million products in 6,000 Italian towns and 2-3 days for the rest of the country“. Read more here… Source: Italy24 web pages.
With a significant Amazon building and development programme in Italy under way, the diversity and complexity of the other international publishing presences in Bologna, from traditional publishers to independent writers, artists and agents, was a sign that the trade in Italy is perhaps conditioned and delivered still in a very traditional way. Affording much opportunity for disruptive innovation in retail distribution we suspect.
As a micro-publisher, establishing our own tentative foothold in the Italian market, what was stunningly noticeable was the available space and ease with which new graphic artists, illustrators and designers could display their work.
Whatever language children are reading in, the quality of the illustrative art applied to the story enhances and opens that bridge to the imagination. It is as important as the ‘book’ itself, or the page layout or font choice, we would argue. The simplest narrative story can become an exciting page turner with the addition of wonderful artistic creativity. There was much of it evident in Italy last week.
Entering the exhibition halls at the event in Bologna Fiere was like stepping into a giant gallery. With a fantastic display of artwork in the principal foyer, annexed to a series of giant display boards for the young and independent artist to display samples of their work. Although the book trade is about business, the Italian approach led with free form creativity and individual design expertise in a way that we felt was unusual in the English book trade.
Some simple highlights for us during the week…
We enjoyed the informal display of Marco’s work. He produces character with a gentle style, with which to enhance any children’s story, we felt. Engaging, friendly but equally up to the illustration of a more challenging narrative.
Based in Desenzano del Gardo, Italy – you can find Marco Bonatti’s work on the web here.
Katie both studies and lectures in the Arts at Bournemouth University. She also runs Seablue Designs, a wonderfully evocative title for her business, which encompasses oceanic themes and a subtle and diverse range of blue in her work.
Katie’s palette, even informally displayed, is striking when seen from a distance, which is what caught our eye, but is equally as powerful on the page when feeding a child’s imagination.
Another graduate of Bournemouth University Arts faculty, Natasha produces images of plants and animals that are bold in structure and colour, but which are always seemingly ‘anatomically’ sound and proportionally framed.
We liked her structured pattern work particularly, standing out as it did from many of her contemporaries on display in Bologna.
(All artist featured images captured from the Bologna Children's Fair ad-hoc display boards in 2017. Copyright remains entirely with the individual artist).
It was the artistry and illustrative energy that was the touchstone experience for us in Bologna this year. Although we were able to build a number of new partnerships and projects for 2017/2018, it is the imprint of ‘the image’ that will stay with us, particularly the energy of the work typical of the artists we have championed above.
Historical linearity in illustration:
We were looking, on behalf of another project before our departure for mainland Europe last week, at the history of children’s book illustration. The Digital Bodleian in Oxford have a wonderful new web resource featuring a number of historic children’s books and games.
You can trace a linear development between the Bodleian web holdings, many dating from the beginning of the Nineteenth Century, through to the modern day.
Not only in their stories about children, but also how the imaginative landscape is pictured, focused on illustration as we are in this article. Innovation was the driving force even then.
We particularly liked the game Choriama, dating from 1824, which serves as a ‘youth’s instructor’ in the drawing and colouring of landscape. The work being made up of a number of individual landscape sections, which can be folded and re-folded to create new topographies of play. See more at the Digital Bodleian here.
We also warmed to depictions of A Round of Fun. Pleasant illustrations of classroom activity where imagination and fun, with guidance , are the focus of the day’s activity. Is this not how school should be?
This work, in the Digital Bodleian, was created in England but was printed in Germany. See more of the Round of Fun at the Digital Bodleianon the web here.
Our whole Digital Bodleian experience, looking back, has been resonant with echoes of our contemporary take on the Book Fair in Bologna.
Creative and imaginative illustrations, some classical and others traditional in feel, the many with a modernist take on old themes – the whole utilising the practised hand of the artist, European production skills and education marketing. A creative journey from the Nineteenth Century to now, following enduring first principles.
We are already booking them for the 2018 event! Perhaps we may see another blue crocodile?
Editorial note on Italy:
Italians, in a recent report, the Bloomberg Global Health Index of 163 countries, lay claim to being some of the healthiest citizens in the world. Despite the prolonged downturn in the country’s economy and with up to 40% of the young unemployed.
It is the proximity to high art and culture, as well as a high vegetable and fruit diet, that must be responsible for the continual flowering of Italian artistic endeavour surely?
The JDRF One Walk Cambridge event is taking place again on Sunday 11 June, 2017.
If you haven’t signed up yet, why not get your friends and family and sign up today?
”The One Walk Cambridge is a family friendly event, that has something for all ages and abilities, from the littlest legs to the briskest power-walkers with our 5km or 9km route. Visit our walk village at Christ’s Pieces with refreshments and activities to keep the whole family entertained”.
You can join hundreds of people across the country walking and raising money for type 1 research this Spring! See you there?
The event is open to anyone between 18 and 25 years of age, regardless as to whether studying or in employment.
How to apply?
To apply to attend the school please submit a short statement of between 300 and 500 words stating: –
• two key contemporary constraints on freedom and your understanding as to why they represent an attack on liberty
• why you would like to attend the school and how you will potentially benefit.
Applications must be submitted no later than Tuesday 28 February 2017. Attendance will be at the discretion of the organisers. Successful applicants will be notified no later than Tuesday 7 March 2017.
If you are bursting with energetic interventionism and commentary on our turbulent social, political and economic times, and still to reach the age of 25 years, then this could be the intellectual event of the year.
After the hyper-consumerism of the recent festive season, were you the one carrying the old wrapping paper, used tinfoil and discarded detritus to the rubbish bin?
We follow in a long tradition, arguably in the foot steps of the Victorians, who were the first ‘throw-away society’ according to Dr. Tom Licence of the University of East Anglia.
The Victorian advances in packaging, branded products and new routes to market in retail confirmed the ‘disposability of things’ for the Victorian householder.
As part of the UEA in London series of events, you can hear Dr. Licence discussing ‘What the Victorians threw away’
Thursday 26 January, 6.30pm – What the Victorians threw away – Dr Tom Licence, UEA
Regent Street Cinema, 309 Regent Street, London, W1B 2UW
‘In this lecture, Tom will use items excavated from rubbish dumps to show how our throwaway habits developed. He will explore Victorian ideas about re-use and re-cycling, and link emerging patterns of waste-creation to the growth of western consumerism’.
You can visit Tom’s archive of objects, disposed of by your great, great grandparents, on his web site – http://www.whatthevictoriansthrewaway.com/ The web pages also contain fascinating insights to what the East Anglians threw away too.
His book is available here in both paperback and Kindle editions…
‘The people who lived in England before the First World War now inhabit a realm of yellow photographs. Theirs is a world fast fading from ours, yet they do not appear overly distant.
Many of us can remember them as being much like ourselves. Nor is it too late for us to encounter them so intimately that we might catch ourselves worrying that we have invaded their privacy. Digging up their refuse is like peeping through the keyhole‘.
1,076 backers pledged 56,504 euros to help bring this project to life, exceeding the original campaign target of 35,000 euros. Brilliant.
This must be the Enlightenment project of the year.
On the eve of 2017, the 330th anniversary of the publication of Isaac Newton’s Principia (Philosophiæ Naturalis Principia Mathematica), a small publishing house in Barcelona, Kronecker Wallis, are dedicated to issuing a new version of this master work.
Design and detail are the watch words of this small creative team, who are recruiting backers for the project on the pages of Kickstarter.
With only nine days to go of the campaign, as of the publication of this short article, why not take an intellectual punt and pledge a very modest amount to receive a copy of this great piece of literature, science and the art of book binding?
If completed this is the Christmas present to die for for those interested in the aesthetics of the book, the history of science and a love of independent, small studio making.
The book will be set in Lucas de Groot‘s font The Serif, created in 1994. To get the finest reproduction the publishers have chosen Munken Polar paper, giving a high quality white tonality to the page and a natural feel. Paper weights of 100 grams for the inner pages and covers produced in 260 grams.
‘The binding is what really sets this book apart. We wanted its “wrapping” to be visually appealing and different. Therefore, we have opted for visible binding that leaves the spine bare, displaying a part of the books that usually remains hidden. This type of binding also helps us when reading the book, as it allows us to open it wider‘.
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