Category Archives: Art

We love libraries!

 

 

 

 

In 1851 J.W.Hudson, speaking at the opening of the Mechanic’ and Apprentices’ Library in Liverpool, opined that a visit to the library would, for the reader, lead to them ‘…receiving cultivation, not in reading the latest accounts of mis-demeanours and local calamities…but in imbibing instruction and high gratification from the perusal of select and valuable works whether they lead him with the traveller, across the pathless tracts of oceans, or cheer and console him, with moral sketches of human nature’.  (Source: Mid-Victorian Britain 1851-75, Geoffrey Best, Fontana Press, 1985, London, p.232)

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See more about the Festival here…

Whilst the publicly accessible library, after nearly a century or more of rising literacy in our country would then clearly stir the intellectual interest of Everyman (and Everywoman and Everychild too – Ed.) the message is still clarion today, stimulating the autodidact to seize the high ground of undiscovered knowledge and learning.

The adult, or child reader, will today find a mesmerising range of interests available at their local library that carries the long echo from that opening event in mid-nineteenth century Liverpool. Experience is still to be garnered for the mind, in the face of closures, funding cuts and, perhaps, even a topical turn away from the intellect towards ‘accounts of mis-demeanours and local calamities‘.

Suffolk Libraries web button - image and web linkSuffolk Libraries, during June 2018, are teaming up with Theatre Royal in Bury St Edmunds to host five performances as part of the ‘Once Upon A Festival’ children’s arts festival.

The Suffolk Libraries festival programme looks like this:

Once Upon a Festival: Pied Piper

Sat 16 June – 1045 to 11.30
Bury St Edmunds Library

‘When the Pied Piper plays his flute the rats run, the greedy mayor rubs his hands and the children dance… Norwich Puppet Theatre’s humorous and irresistible one-person show combines a skillful mix of puppetry, foot-tapping music and storytelling and will have audiences young and old entranced’.

Once Upon a Festival: The Children in the Moon

Sat 16 June – 1430 to 15.15
Newmarket Library

‘The Children in the Moon is a wonderfully visual and original take on centuries old children’s verse, packed with puppetry and live music this is an ideal show for all the family. Tickets for this show are £1 per child’.

Once Upon a Festival: Graffiti Classics

Wed 20 June – 1530 to 1630
Newmarket Library

‘6 strings, 8 dancing feet and 4 voices with 1 aim: to make classical music wickedly funny and fantastically exhilarating for everyone, young and old. Graffiti Classics burst the elitist boundaries of the traditional string quartet with their hilarious all-singing, all-dancing musical comedy show’.

Use the Suffolk Library links to check out these gems of ‘library performance’ and kick-start the 7 to 13 year old auto-didact in your family today.


Context and Editor Notes:

Libraries and the Arts are deeply embedded in our culture and history. By the 1680’s, in England, libraries were growing more common, from the large installation in the affluent country house, to ‘the more modest bookshelf in the yeoman’s farm‘. Public libraries, as we might understand the term, were extremely rare outside Oxford and Cambridge.

In 1684, the Rector of St. Martin’s in the Fields, working with Christopher Wren, set out to build a library ‘for public use’. The Rector and Wren built a large house in the grounds of the churchyard, using the upper story as an accessible library and the downstairs as a ‘workroom for the poor’.

Thus beginning, arguably, the long tradition of the library as a multi-use space, feeding the individual mind, raising community social capital and road-mapping the way to the intellectual horizon.

Everything we might want today.

(Source: English Social History – Chaucer to Queen Victoria, G.M.Trevelyan, Penguin Books, London, 1978, p. 279)

Once Upon A Festival is now in its fourth year and aims to make performance art more accessible in theatres, schools and communities by taking the performances to children in their school or community. For more information visit www.onceuponafestival.co.uk   

Melissa Matthews, Suffolk Libraries Art Programme Co-ordinator, says: “We’re delighted to host these events. Once Upon A Festival delivers high quality dynamic performances from a variety of companies and libraries are a great place to host exciting events like this in the community. We want to deliver more events like this as part of our Arts programme to open up new and accessible arts experiences for children and young people.”

(Source: Suffolk Libraries Press Release, June 2018 – https://www.suffolklibraries.co.uk/news/once-upon-a-festival/ )

Love your library, whatever age it is – we do!

Enlightenment in the East of England

We publish a continuous arts job feed here:

Ipswich County Library

Week-long, mixed media residency working in partnership with METAL

Sullfolk Libraries web button 4 - image and web linkMonday 30 July – Friday 3 August 2018

 

 

 

 

 

 

 

‘As part of Year 1 of the Suffolk Libraries Arts Programme, we are inviting Suffolk artists to take over the top floor of Ipswich County Library to explore the role creativity plays as catalyst for nurturing confidence and well-being in young people’.

Source: https://www.suffolklibraries.co.uk/about/jobs/ipswich-artist-in-residence/

In April 2018, Suffolk Libraries were awarded NPO status by Arts Council England. Following the residency, artists may be approached by Suffolk Libraries to be commissioned to deliver pilots of their projects from September 2018.

Discover this arts opportunity, and others, on our regularly updated arts job news-feed here.

See the job description, duration, remuneration and audience focus for the work. Check back regularly for updated feeds on arts-centred employment in the East of England. See more here.

Enlightenment in the East of England

The Finnish National Gallery has made twelve thousand works of art available in the Public Domain. Free to use, they are licensed and distributed under the CC0 license.

Not all of the Finnish national holdings have been released, but this substantial artistic trove can be deployed for teaching, as well as research and for commercial use.

An arts journey in the Public Domain courtesy of The Finnish National Gallery

This featured image, entitled  Sarjasta Suites francaises 2 (1999): Léscapade á bicyclette, by Elina Brotherus is an example of the contemporary works that can be found on-line. See more here

You can search the Finnish National Gallery archives by artist/creator, date, theme and technique using the search pages here.

Finnish artists like Helene Schjerfbeck, Albert Edelfelt and  Hugo Simberg represent home land creativity. However, you can also find internationally famous artists such as Vincent van Gogh, Paul Gauguin and Edvard Munch.

The Finnish National Gallery also makes the collection meta-data freely available as an API, so that you can add standardised biographical data to your web installation or application, if using the API. See more details here

We like the international flavour, and the wide variety of images, contained within such a flexible license, immensely. We know that we will be using this resource in our creative projects in the future.

Other freely licensed image collections are available. We have added a flavour of the resources below.

Bravo Finland and its artistic freedom!


Other Public Domain Art resources:

The Metropolitan Museum of Art

New York Public Library – Digital Collections

Public Domain Archive

Getty Museum – Open Collection

Yale University Art Gallery

A Euoropean art resource to be savoured can be found on the web pages of Europeana – see https://www.europeana.eu/portal/en/collections/art

Europeana also offers its readers a very sound Public Domain Charter – helping users of Public Domain works to better understand and deploy items in their own works. We recommend it.

See more at… https://www.europeana.eu/portal/en/rights/public-domain-charter.html

 


Following on from our recent article on book binding in Barcelona, we seem unable to escape our thematic journey on-line towards the bound artefact.

As booksellers and literacy project specialists we are especially interested in the concept of the book as a seasonal highlight, as to be expected at this time of year. The conversationsEast team were very pleased to see book-binding as part of the programme of the recent Chelmsford Ideas Festival for instance.

This month we were pleased to discover the web pages of the refreshed and rebuilt Yale Center for British Art. Remarkable in that such a concentration of artefacts, academic depth and insight into our native art history should exist in Chapel Street, New Haven, Connecticut.

The opening lecture for the Centre, post-renovation, was Artistic Bookbinding in the Twenty-First Century, delivered by the American book historian and conservator James Reid-Cunningham. See more below…

The lecture, The Poet of Them All, concentrates on a remarkable collection of Shakespeare editions in miniature from the holdings of the Yale Centre and in concert with collectors Neale and Margaret Albert.

The richness, skill and indeed, even fun, of such collections is beautifully captured in the Reid-Cunningham lecture. The expressive art and craft skill of the binder in the twenty first century is also visually well expressed in the discourse. In an age of electronics it is sometimes easy to forget the power, even magic, generated by the carefully crafted, masterfully bound book. Whatever its size.

There is much to enjoy across the whole of the Yale Center for British Art. Research at the Yale Center benefits from concurrent funding from the Andrew W. Mellon Foundation, encouraging a wide programme of lectures, study and talks to disseminate the findings of the Center. As you would expect from such a world centre of excellence.

We particularly liked the Center’s new education programme Visual Literacy: Rethinking the Role of the Arts in Education. Using the great visual resources the Center holds to create interest in and higher utility in reading. Art becomes the book, becomes the writer!

See the trailer for the work below…

Visual Literacy: Rethinking the Role of Arts in Education from cyra levenson on Vimeo.

Giving  books is a great idea over the festive holidays, getting the family into an art gallery or museum is even better. We visited Seven Stories in Newcastle earlier in 2016, so we know you can achieve the same ‘Yale’ effect without a visit to Connecticut.

Unless you travel on-line that is? Happy Christmas to our readers.

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A portait of Isaac Newton by Godfrey Kneller (1689)

Article update: 12.11.2016

1,076 backers pledged 56,504 euros to help bring this project to life, exceeding the original campaign target  of 35,000 euros. Brilliant.


This must be the Enlightenment project of the year.

On the eve of 2017, the 330th anniversary of the publication of Isaac Newton’s Principia (Philosophiæ Naturalis Principia Mathematica), a small publishing house in Barcelona, Kronecker Wallis, are dedicated to issuing a new version of this master work.

Design and detail are the watch words of this small creative team, who are recruiting backers for the project on the pages of Kickstarter.

With only nine days to go of the campaign, as of the publication of this short article, why not take an intellectual punt and pledge a very modest amount to receive a copy of this great piece of literature, science and the art of book binding?

If completed this is the Christmas present to die for for those interested in the aesthetics of the book, the history of science and a love of independent, small studio making.

Discover the Principia and Kronecker Wallis on Kickstarter here.

About the book?

The book will be set in Lucas de Groot‘s font The Serif, created in 1994. To get the finest reproduction the publishers have chosen Munken Polar paper, giving a high quality white tonality to the page and a natural feel. Paper weights of 100 grams for the inner pages and covers produced in 260 grams.

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Buy The Serif office fonts here…

 

The binding is what really sets this book apart. We wanted its “wrapping” to be visually appealing and different. Therefore, we have opted for visible binding that leaves the spine bare, displaying a part of the books that usually remains hidden. This type of binding also helps us when reading the book, as it allows us to open it wider‘.

Source: Kronecker Wallis Kickstarter page

The text is set from the 1846 first American edition, edited by N.W. Chittenden. You can see this text here.

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Page layout image from Kronecker Wallis…

You can make a Kickstarter pledge from as little as 5 Euro’s, a tiny investment in a project of such aesthetic magnitude.

If you do and the bindngs are completed, have a great Christmas festive holiday when your package arrives.

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Discover more here…

It’s that time of year again. We are packing our notebooks, pencils and cameras for a series of editorial visits, as usual, to the Chelmsford Ideas Festival 2016.

22nd October till the 12th November 2016.

”The Chelmsford Ideas Festival aims to stimulate and inspire people through a set of innovative events, talks and workshops”.

With a much improved web site this year, you can find a range of activities and interests to stimulate the intellect across a variety of themes. Each category of event has its own diary section. See below for what might interest you most.

Arts  |  Heritage  | Kids  |  Technology  |  Your City  | Wellbeing  |  Food

You can see last years event article on conversationsEAST here. This year, 2016, the programme is diverse, inclusive and accessible.

To book individual workshops and events simply open the calendar entry on the web page to get full details of the event and how to book.


Highlights from the programme? We liked…

Rooted Art – Public Art Workshops   25th October, 2016   10.00 to 12.00

‘Let’s make history! Join Artist Nick Haydon (known for his large scale printmaking) and Artist Victoria Button in creating a massive historic mural in Chelmsford city centre, depicting stories of the city’s heritage. Funded by Essex County Council’.

See more about artists Victoria Button and Nick Haydon


We also liked…

Chat About the Old Days – 27th October and 27th November, 2016  – 14.00 to 16.30

‘Come along to this free session – enjoy a cup of tea/coffee and a cake for just £1 and join us in reminiscing about the ‘old days’. (Don’t forget: even teenagers have an ‘old days’ – what do you remember about times past?) 

Our idea is to have a jolly good nostalgic chat session over a cup of tea and then for some of the memories and stories that come out to form the basis of a new community artwork to be displayed at the Ideas Hub. Maybe it will be the start of a series of artworks…who knows?’

Organiser: Artist Max Dolding – see more here.


And also…

ESA’S COPERNICUS PROGRAMME: How is E2V protecting Planet earth?    24th October 19:00 – 21:00

‘Paul Jerram is Chief Engineer for Space Imaging at e2v, Chelmsford. Headquartered in Chelmsford, e2v is bringing life to technology and employs 1750 people globally. e2v partners with customers to provide world-class image sensors and detection subsystems that can help solve the mysteries of the Universe, understand climate change on Earth and much, much more…’

Event follows the Festival launch at Anglia Ruskin University.


The Ideas Festival Chelmsford,  22nd October till the 12th November 2016, is certainly now a premier intellectual and cultural landmark in the regional festival landscape. Visit the web site and book to join in the work. You will not be disappointed.

See the Festival full contact details here.

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 Letting the imagination loose…

What a reservoir of intellectual curiosity and intelligent thought the TED Talks web site is. We would all aspire to be on that stage, in any city across the world, to deliver our magnum opus in those eighteen minutes or less.

Well, some of us would, we suspect?

Well now you can. TED have just called for video submissions for OpenTED, a new initiative that offers all, that is everyone, the chance to vent their idea to the world.

You have, in this case, just six minutes or less to give the world your idea. It might be a new social movement, political idea, artistic initiative or just a personal reflection on an aspect of your life.

Below is a contribution from the performer Tanya Davis, with the filming expertise and technology provided by film-maker Andrea Dorfman.

It is a poem and filmic art, about being alone. It is also a collaboration, to express the idea or commentary using a range of skills. Working together with others to express your idea.

You have until October 15th, 2015 to submit your video idea. It must be a video contribution, of course. It might be…

‘…an idea might offer a new, bold, big-picture way of looking at the world: a broad call for tolerance, a flipped view of human behavior, a breakthrough in the lab that will change our lives. Or it could offer a new way of thinking at micro scale — a new take on a small behavior we do every day, or a new way to get through the workday’. Source: OpenTEd

A small, personal idea, or big statement about an aspect of your life or community. The TED idea democratised. Now there’s an idea worth spreading.

interneticon  You can find the OpenTED small print here.

interneticon  Revisit the TED main web pages here for inspiration.

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See your copy here…

Making Digital Work – A digital toolkit for Arts and Culture is one of the latest publications available from The Digital R&D Fund for the Arts.

This is a stunning piece of work, encapsulating business modelling, ideas curation and potentiality for delivery , route mapping and success measurement – all through the meta-filter of the arts and culture agenda.

The toolkit is not a complex piece, nor is it exhaustive, but it does contain processes which any arts focused project can use to identify new opportunities, to plan the business case for the digital work, focus on audience and user value, collaborate, design, build and engage, then evaluate and share.

Simple and effective solutions to arts project planning and delivery in the digital domain.

interneticon You can view the full document or download sections here…

‘The arts sector is fizzing with ideas and creative ambition. Large and small organisations are using digital technologies to deliver dazzling online experiences linked to live events, useful services for learners, interactive displays in physical spaces and so much more’. Source: The Concept – Digital Toolkit

Whether developing the concept in mind with the Six Hats methodology or taking a more mainstream approach to idea development by using the Business Model Canvas, then the toolkit from The Digital R&D Fund for the Arts offers plenty of opportunity to use the techniques best suited to your management team, volunteers or funders.

We like the Business Model Canvas. Using it with our Third Sector clients is a good way to encapsulate the business argument and key considerations for the community enterprise. You can see an example on www.enterprisingcommunities.today here.

Using it here, in the arts and culture context, the main headings have been adjusted to include clarity of thought in the project overview, sales and marketing, operations and resources, staff and management…and finance too.

Contemplating a digital arts or cultural project then the web lends itself to testing, data collection, evaluation and storytelling derived from a completed project. The digital toolkit contains much that is useful in using and shaping output from new media and new technology, within the context of arts delivery.

We recently wrote, on our Communications EAST Toolkit page about The Growthverse, a very useful web service that can help you decide upon and plan deployment of your new media, user relationships and feedback methodologies. We commend it to arts professionals too. Although it is intended for tech start-ups, there is insight to be gained from exploring it, we would argue.

In summation, this is the toolkit for arts and culture in the digital age, bar none. The closing pages contain useful links, not only to the Digtal R&D Fund, but also to the Nesta Creative Enterprise toolkit, a variety of digital capacity resources from the Arts Council and the Design Council Guide to Design.

If you are a practitioner…connect to the internet and diary some laptop time, you will need it.

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(Image: Alberto Giacometti, with his work)

A visit to Sainsbury Centre on Friday 20th February, 2015

We had a group of seventeen fellows and friends who met up for the visit. We congregated at 10.30 for complimentary tea and coffee at the Modern Life café and then we were taken off by three guides to explore the Centre. We began with the Permanent exhibition on the ground floor and then after a short break proceeded to the basement exhibition areas to view the Reality exhibition, which was outstanding.

Curated by artist Chris Stevens, REALITY brings together over 50 works celebrating the strength of British painting with some of the best and most influential artists of the last sixty years.

The Sainsbury Centre is one of the most prominent university art galleries in Britain, and a major national Centre for the study and presentation of art.

It houses the extraordinary art collection of Robert and Lisa Sainsbury, as well as the Anderson Collection of Art Nouveau and the University’s Abstract and Constructivist Collection. Alongside these permanent collections, there is a range of temporary exhibitions, with new galleries providing the largest climate-controlled exhibition space in Eastern England. Also on offer is an award-winning learning programme of gallery talks, lectures and art workshops. (See the programme of lectures, symposia and training here).

The Collections at the Sainsbury Centre for Visual Arts represent some of the most remarkable works of art assembled in the UK. The Robert and Lisa Sainsbury Collection features work spanning 5,000 years of human creativity. The presentation of art from across time and place continues to inspire and surprise and uniquely presents art as a universal global phenomenon.

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Picasso, 1901-2 Femme au Cafe

The Robert and Lisa Sainsbury Collection
Permanently displayed in the Living Area Gallery, the collection includes major holdings of art from Oceania, Africa, the Americas, Asia, the ancient Mediterranean cultures of Egypt, Greece and Rome, Medieval Europe, and including a significant number of works acknowledged as seminal examples of European modern art. Pablo Picasso, Edgar Degas, Francis Bacon, Jacob Epstein, Henry Moore, Alberto Giacometti and Amedeo Modigliani are all represented in the collection.

The Lisa Sainsbury Ceramics Collection
Although not formally part of the Robert and Lisa Sainsbury Collection, the Lisa Sainsbury Ceramics Collection represents a major collection of 20th century studio ceramics, including a significant body of work by Lucie Rie and Hans Coper.

The Sainsbury Abstract Collection
The Sainsbury Abstract Collection includes paintings from the post second world war Ecole de Paris with a strong preference for lyrical abstraction and Tachisme, art movements that flourished in France from 1945 to 1960. Notable artists included in the collection are Jean Fautrier, Charles Maussion and Mubin Orhon.

The Anderson Collection of Art Nouveau
Alongside the Robert and Lisa Sainsbury Collection sits another principle collection; The Anderson Collection of Art Nouveau, donated in 1978 by Sir Colin Anderson, a close friend of Sir Robert and Lady Sainsbury. The collection represents artists working across a range of disciplines and materials such as glassware and furniture, metalware and jewelry. The collection includes pieces by leading exponents of Art Nouveau such as Louis Comfort Tiffany, Emile Gallé and René Lalique.

Vorticist David Bomberg's The Mud Bath, 1914
Vorticist David Bomberg’s The Mud Bath, 1914

The University Collection of Abstract and Constructivist Art, Design and Architecture was established by the University in 1968. This Collection concentrates on the non-objective, constructive and concrete art movements of the 20th century and the related fields of architecture and design, such as the English Vorticists, the Russian Suprematists and Constructivists, the Dutch De Stijl Group and the German Bauhaus School.

All who attended enjoyed getting to know each other and spoke of possibly another visit soon. It was very much enjoyed by all and many used their ticket to linger longer in the afternoon. Also, a new Francis Bacon exhibition is coming soon. The Francis Bacon paintings are currently at the State Hermitage Museum in St Petersburg and will return for the Francis Bacon and the Masters exhibition in April.

Possibly another day out!

Christine O’Hanlon FRSA

(Public domain images are for illustrative purposes only – they do not seek to represent the collections in the narrative about this visit).

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Visit The Sainsbury Centre on-line here…

RSA East of England Visit to the Sainsbury Centre, University of East Anglia

Friday 20 February 10.30 am to 2pm

eventbriteButton    You can book on-line here…

Fellows are invited to a guided tour of the outstanding collection at the Sainsbury Centre, UEA including the major REALITY exhibition of Modern British painting, Matisse sculptures (‘The Backs’), as well as the permanent collection (http://scva.ac.uk/art-and-artists/highlights)

REALITY brings together over 50 works celebrating the strength of British painting with some of the best and most influential artists of the last sixty years, testifying to the survival of painting as a medium and the impact of British painting today. Major 20th Century artists are represented such as Walter Sickert, Francis Bacon, Lucian Freud and David Hockney, alongside contemporary painters including Ken Currie, George Shaw and Caroline Walker.

The tour will be followed by lunch in the restaurant. Lunch is self service but we have reserved a table, so Fellows can eat together and review the morning.

interneticon  See more details on our events page here…

Sainsbury Centre image credit: lucyrfisher via photopin cc

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News Desk image by Markus Winkler, Creative Commons, Unsplash...

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